lieu du procès - meaning and definition. What is lieu du procès
Diclib.com
ChatGPT AI Dictionary
Enter a word or phrase in any language 👆
Language:

Translation and analysis of words by ChatGPT artificial intelligence

On this page you can get a detailed analysis of a word or phrase, produced by the best artificial intelligence technology to date:

  • how the word is used
  • frequency of use
  • it is used more often in oral or written speech
  • word translation options
  • usage examples (several phrases with translation)
  • etymology

What (who) is lieu du procès - definition

1962 FILM BY ORSON WELLES
Le Procès; Le Proces; Le procès

proces-verbal         
Proces-verbaux; Proces-verbal
[?pr?se?v?:'b?:l]
¦ noun (plural proces-verbaux -'b??) a written report of proceedings.
Origin
C17: Fr.
Procès-verbal         
Proces-verbaux; Proces-verbal
Procès-verbal (French procès, process, Late Latin verbalis, from verbum, word) is a legal term with a number of meanings:
Le Procès-Verbal         
NOVEL BY JEAN-MARIE GUSTAVE LE CLÉZIO
Le Procès-verbal; Le Proces-Verbal; The Interrogation (novel)
Le Procès-Verbal (English title: The Interrogation) is the debut novel of French Nobel laureate writer J. M.

Wikipedia

The Trial (1962 film)

The Trial (French: Le Procès) is a 1962 drama film directed by Orson Welles, who also wrote the screenplay based on the 1925 posthumously published novel of the same name by Franz Kafka. Welles stated immediately after completing the film: "The Trial is the best film I have ever made". The film begins with Welles narrating Kafka's parable "Before the Law" to pinscreen scenes created by the artists Alexandre Alexeieff and Claire Parker. Anthony Perkins stars as Josef K., a bureaucrat who is accused of a never-specified crime, and Jeanne Moreau, Romy Schneider, and Elsa Martinelli play women who become involved in various ways in Josef's trial and life. Welles plays the Advocate, Josef's lawyer and the film's principal antagonist.

The Trial has grown in reputation over the years, and some critics, including Roger Ebert, have called it a masterpiece. It is often praised for its scenic design and cinematography, the latter of which includes disorienting camera angles and unconventional use of focus.